Matt Scott Barnes
Andy Sohoza
Andy Sohoza
Andy Sohoza
Andy Sohoza
Andy Sohoza
Matt Scott Barnes
Matt Scott Barnes
Matt Scott Barnes
Matt Scott Barnes
Matt Scott Barnes
Matt Scott Barnes
Matt Scott Barnes
Matt Scott Barnes
Matt Scott Barnes
Matt Scott Barnes
Matt Scott Barnes
Matt Scott Barnes
Matt Scott Barnes


Us by Us Gallery is excited to announce the first goup show in the new gallery: “Drinking Kool-Aid: A Cult Following Art Show.” The show explores the allure and complexity of cult-like fascination in society—whether it’s a loyal following of a band or movie, subversive belief, or pop-culture craze.


Opening Reception was on December 13, 2024, (6PM - 10PM) at Us by Us Gallery, 801 Main Street, Covington, Kentucky.


Always Watching
Alexis Strong

If there is a God, he is either not all powerful or not all good. He cannot simultaneously be both. Yet there are those who continue to blindly follow, even at the cost of women’s rights to their bodies and autonomy. I created this piece to show how sinister it can be to have something always watching. 

Song for a Mall Town
Andy Sohoza

I didn’t make this with cults in mind. I made it with me in mind. And while I could spin that as a cult of one, or try to bullshit my way into making it a pandering red-state sociopolitical commentary, that would be misleading. Fortunately, at the bottom of this stack of solipsistic free association lies the cognitive dissonance all cult behavior is ultimately built on. That psychological contortion required to see distant celebrities as friends, brands as culture, dependence as love, hate as pride, or weakness as strength, is a reflexive solution for a disquieting world, and that reflex lies within all of us. This piece was an attempt to de-romanticize a place and people (myself included) once deified that way in my work, and force myself to confront the totality of what it was all along.


All Hail The Rat Messiah
Bernard Edmonds

We move as we’re told, turn where we’re led. Tested. Trapped. The maze expands, but the walls stay the same. Every choice feels like freedom until you see the ceiling. A cultural idol appears—a Rat Messiah. We follow, devout and desperate. Salvation sold by the ounce, meaning measured in likes and shares.

Who leads the way? Who holds the cheese?

This is a reverence for our systems, for the god we’ve made in our own image. A rat king.

Tricks and Treats
& I’m Not Even Supposed To Be Here Today
Bradley Day

A while back, Dick, Barry and I agreed, that what really matters is what you like, not what you are like. Books, records, films, these things matter. Call me shallow. It’s the fucking truth. -Rob Gordon

I’m Not Even Supposed To Be Here Today


Tricks and Treats



Cults
Carter Ritter

Manipulation to the most extreme. That is how I would describe a cult. Whether it is leaving everything behind for a better life or maybe just mass extinction NO MATTER WHAT it's lies. In my artwork I'm trying to illustrate the lies, manipulation, and mistrust built into cults through found imagery and abstraction.



Elixer
Chris Kessler

Bourbon is an integral part of identity for Kentucky and its inhabitants. Recently the culture hasy through investment by international liquor brands to expand marketability. People are encouraged - even expected - to consume Bourbon now more than ever. Small, secluded areas of Kentucky are becoming spirit boomtowns which bring in tourism, further encouraging development and expansion of facilities that can meet the demand - Distilleries, hotels, restaurants, etc. Bourbon’s identity is changing. The image shown is sourced from a bartender-focused tour of the Maker’s Mark facility in Loretto, KY. The program - Camp Runamok - pools bartenders from across the country for a week-long education of spirits. The camp is also an effort by liquor brands to incentivize these bartenders to push their products. Campers are encouraged to “drink the Kool-aid” and enter a culture of consumerism which alters both Kentucky and its people for the sake of endless expansion.

Lust
Dan Dickerscheid

Lust is primarily about the hypocrisy of the catholic church. The form of this sculpture is meant to envoke the architecture of the churches. At the same time draw attention to the ornate ways priests dress to distinguish their rolls of importance.